Articles

We’ve all been there. The script is perfect, the talent is A-list, but the location… is a sonic nightmare. Maybe it’s a buzzing conference room,

While not every project requires a dedicated boom operator or A2, many productions simply aren’t feasible without one—at least not without sacrificing significant quality and

An Open Letter from your Sound Departmentwritten by John Coffey, with help from Randy Thom, Jeff Wexler, Noah Timan, Mike Hall, John Garrett, Scott Smith, Rob Young, Mike Filosa, Wolf Seeberg,Darren Brisker, Charles Wilborn, Todd Russell, Brydon